The Louvre Museum - Why you should go 2

Visiting Hours
The museum is open from 9 a.m. to 6 p.m. every day except Tuesday and the following holidays: January 1st, May 1st, May 8 and December 25, 2007.
The permanent collections and temporary exhibitions will close at 5:00 pm on December 24 and 31, 2007 (Mondays).
It is open until 10 p.m. on Wednesday and Friday evenings except on Wednesday, August 15, 2007 (open until 6 p.m.).
Admission Fees
Tickets for the Permanent Collections
€9
This ticket provides full-day access to the Louvre, except for temporary exhibitions in the Hall Napoléon. It is also valid for the Musée Eugène Delacroix.
Free admission to the museum on July 14, 2007 (Saturday).
€6
(from 6 p.m. to 9:45 p.m.)
This ticket provides access to the Louvre, except for temporary exhibitions in the Hall Napoléon, on Wednesday and Friday evenings.
If you haven’t yet read Rick Steve’s section on the Louvre in his Paris 2007 guidebook, I would definitely recommend it for a very informative and highly readable introduction to the Louvre. Even though I’ve visited the Louvre a number of times, I’ve learned a great deal from his descriptions (particularly regarding the museum’s sculpture department). ‘Experts’ may scoff, but I’m not an art expert so I appreciate Rick’s simple but amusing descriptions and illustrations.

The Louvre Museum - Why you should go

Louvre Museum Pass
Don’t take my word for it. The Smithsonian will tell you. It lists the Louvre Museum as one of the top 28 places in the world you need to go before you die (Smithsonian Magazine, January 2008).
Would people still go to the Louvre Museum - if the Mona Lisa, the Winged Victory of Samathrace and the Venus de Milo did not reside there? It would still be a great museum, but not quite as great.
Movie stars, singers, and a myriad of celebrities come and go. Our concept of talent and beauty tend to be as fickle as lap dancers, but Mona stays. So, this is why you must go to see Leonardo da Vinci’s Mona Lisa - at least once, in person. You may be disappointed. You may find her to be unattractive, but the old gal has staying power. She’s been around since the 1500s and that’s a hell of a track record. Of all his paintings, Leonardo chose to lug Mona along with him from Italy to King Francois I’s French court. Francois obviously liked the painting and kept it as the centerpiece of his collection. She’s been here ever since (except for one brief interlude of liberation when she was stolen not for money, but for love).
So, if you ever need any convincing about the importance of going to the Louvre, I hope this settles the issue. But there’s more, about 35,000 more reasons to visit the Louvre. This is the approximate number of works of art and artifacts that can be seen at the Louvre (the entire collection holds over 300,000 individual pieces) and its treasures are not limited to Western civilizations alone. You’ll find towering legacies to kingdoms long forgotten by Hollywood - the sculptures and freizework of ancient Assyria, Ninevah, Sargon and Khorsabah. Here is where you’ll find Hammarabi’s code (1792-1750 B.C.), and from Egypt, the Grand Sphinx.
History
Even if you chose never to set foot inside the museum, its walls alone are a living - and still evolving French history lesson. In recent years, excavations have unearthed some of the Louvre palace’s medieval foundations. In its earliest days (1200 A.D.), the Louvre existed as a castle built for defense (it was also much smaller than the building yo see today). Its medieval towers have long since been replaced by the more decorative and ornate facades of the Renaissance era when Francois I returned to this castle fortress which had been somewhat abandoned and left to ruin. Throughout French history, you’ll note how kings and rulers have had a curious love-hate relationship with Paris, having built great palaces, only to turn their backs on the city, fleeing for the serenity of the countryside. It’s what Parisians continue to do every weekend during the warmer months.
Before becoming a museum, the Louvre had several purposes. First, as I’ve mentioned it defended Paris from its position overlooking the Seine River. It didn’t actually become a residential palace until the 1300s during the reign of Charles V. Charles lived here but he also created a huge library in one of its towers. When Francois I moved in 150 years later, he decided to give the Louvre a totally new look. The facade took on the design of the day - borrowing the less austere, and much more ornate features of Italy’s burgeoning Renaissance style.
Still what you see on the facade of today’s Louvre, particularly in the Cour Caree (that’s the square enclosure of the Louvre which you can reach by walking past the pyramid and through the arches to the westernmost end of the the museum) retains only a small segment from Francois I’s era. Catherine de Medici added the wing facing the Seine River. Even though Louis XIV ended up spending most of his time at Versailles, he brought in a crew of architects and artists to work on the Louvre palace, from the inside out. Napoleon couldn’t resist adding an addition, followed by Napoleon III as late as the 19th century. And even 20th-century French presidents felt inclined to leave their fingerprint on the Louvre, witnessed by the IM Pei pyramid installed during President Francois Mitterand’s term. Is it possible that the Louvre as we know it today should have started with a Francois and ended its restorations with a Francois? Probably not. It is far too tempting a prospect to link one’s place in history to one of the most famous museums in the world.Technorati Profile

Gallery of a museum Louvre

Parislogue’s Tips

Tip #1 Remember the closed day is Tuesday.

Tip #2 Buy your ticket online through FNAC or Ticketnet or buy your ticket from any of the automated ticket machines in the main lobby under the pyramid.

Tip #3 Go for free on the first Sunday of the month and on July 14th, Bastille Day. Or go for a reduced evening rate on Wednesday and Friday nights.

Tip #4 Make sure that the department you plan to visit will be open because some departments such as the French paintings collection is closed on certain days of the week.

Tip #5 Check out the various entrances to the museum to find the quickest access. (The main entrance through the glass pyramid is the most spectacular, but also the most crowded. You can gain access from beneath the Carrousel arch (at the entrance to the Tuileries gardens), underground from the Metro stop: Palais Royal, from the Lion’s entrance (in the wing which borders the Seine River

Tip #6 Visit the museum during evening hours (Wednesday and Friday nights) thus saving your days for outdoor activities (make sure that the wings you want to visit are open during evening hours).

Planning your visit

Tip #1 Pace yourself. The path to three ‘biggies’ Venus de Milo, the Mona Lisa, and Victory at Samathrace is well indicated. Nevertheless the Louvre is huge. The Grand Gallery (where you’ll find Mona Lisa) is almost equal in length to three football fields lined up end to end. If you stop at every painting before you get to the Mona Lisa - well - you get the picture. Grab the ball and run.

Tip #2 Take some time to visit the Louvre website and get familiar with the layout of the museum. Do you have a favorite painting or favorite artist? Check to see if his or her work is included in the vast collection. You’ll want to note the name of the wing i.e. Denon is the ‘Mona Lisa’ wing, Richelieu, etc. and the Floor.
Even after you’ve carefully, noted all this information, you may still get lost - or sometimes the work of art gets temporarily lost. In June, 2007, the Venus de Milo had been moved to the the Sully wing, room 7 ground floor. Those of us who saw Venus languishing in her temporary quarters - we shared her pain. Hopefully, at this writing, she is sitting pretty again.

Tip #3 Take a flashlight (or torch). You’ll need this for the Egyptian wing. I’m not kidding. And I’m not kidding that there’s pickpockets lurking in dimly lit corners.

Tip #5 Make your way to the upper level dining area of the Richelieu wing for a snack or lunch break.

Tip #6 DO NOT TRY TO SEE IT ALL. This is impossible. You will never see it all. Better to spend your morning or afternoon in the company of one or two works of art. You don’t make a work of art your own by acquiring it. No one really can own art. Spend enough time with one painting and it will be yours forever.
So, please, do this for me if you go to the Louvre. Find one painting, one sculpture, one art object - and make it yours. Better yet, share your choice and comments with other Parislogue readers.

History of the museum Louvre

The Louvre, in its successive architectural metamorphoses, has dominated central Paris since the late 12th century. Built on the city's western edge, the original structure was gradually engulfed as the city grew. The dark fortress of the early days was transformed into the modernized dwelling of François I and, later, the sumptuous palace of the Sun King, Louis XIV. Here we explore the history of this extraordinary edifice and of the museum that has occupied it since 1793.

High Museum of Art in Atlanta 7

Tilmann Riemenschneider, St. Andrew. ca. 1505

Joseph Stella, Purissima. 1927

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Benjamin Henry Latrobe and Thomas Wetherill;
paint decoration attributed to George Bridport, Chair. ca. 1808

Herter Brothers, New York
1864-1907
Cabinet
ca. 1875

High Museum of Art in Atlanta 5

Joseph Rodefer DeCamp,
The Blue Mandarin Coat
(The Blue Kimono). 1922

Giovanni Battista Tiepolo,
Roman Matrons Making Offerings to Juno.
ca. 1745-1750

High Museum of Art in Atlanta 4

Unknown maker, Northeastern United States; sculptural elements possibly carved by Joseph Alexis Bailly
mid nineteenth century
Sideboard
ca. 1855

Herter Brothers, New York
1864-1907
Side Chair
1881-1882

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Hallet, Davis and Company, Boston
working 1850-1957
Piano
1876

Kongo, Democratic Republic of Congo
twentieth century
Mother and Child Figure
ca. 1900

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Fang, Cameroon
twentieth century
Male Reliquary Guardian Figure
ca. 1900

John Frederick Kensett
1816 - 1872
Camel's Hump from the Western Shore of Lake Champlain

High Museum of Art in Atlanta

Welcome to the High Museum of Art Online!

The High is excited to offer this online resource for our visitors. Whether you've visited the Museum recently or this is your first time exploring us online, we invite you to take a closer look and discover all the exciting things that are happening at the High.

On November 12, 2005, a new High for Atlanta opened to the public. Designed by Renzo Piano, our 177,000-square-foot expansion is the centerpiece of an overall upgrade to the Woodruff Arts Center campus. Three new buildings for the High provide new exhibition space as well as enhanced education and programming facilities that more than double the size of the Museum’s landmark building designed by Richard Meier. The expansion transforms the High into a lively, year-round destination for the arts.

In October 2006, momentum continued with the opening of Louvre Atlanta. Our partnership with the Louvre Museum in Paris will bring hundreds of works of art from the Louvre’s collections to Atlanta through 2009. In addition to cultural exchanges and educational programming, nine special exhibitions of art will tell the history of the Louvre through its collections. To learn more about what's currently on view at the High, click here.

High Museum of Art